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Finding My Vanished
Roots
by Connie Lynne
Smith
Do you have a mysterious
relative in your family?
Someone nobody ever wants to talk about, and when the person
is mentioned, everybody exchanges icy stares and changes the
subject? This is a
familiar scenario in many families. A black sheep uncle. A disappearing aunt.
In my
case, it was a grandfather, who seemed never to have existed. My mom acted as though she
was hatched out of an egg.
My grandmother acted like she had never even been with a man,
let alone bear the child of one. But, when my sister and I
would ask, as any curious child would who is missing a grandpa,
“Where is grandpa?”, all we would receive in return were icy stares
and Mom would shush us up.
Then she would take us in the other room and tell us to never
ask about grandpa again.
Every
chance we got, my sister, and I would sit on the staircase,
eavesdropping on the adult conversations. Through these clandestine
spy missions, we learned enough about him to know that he drank and
was an alcoholic. He
lived somewhere, locked away, in a hospital. Mom never knew him, as he
had abandoned Grannie before Mom was born. We knew he had a sister, our
Aunt Clara, whom we adored and were all very close to. And, that’s about it. We didn’t even know his name
and wouldn’t know it for many years.
So, as children often do, we tucked our curiosity away. But we always knew that,
someday, when we grew up, we would find out who this mysterious man
was and where he was.
Life has a way of overtaking you and Mom died young, then
Aunt Clara, and then Grannie.
My sister and I would still occasionally wonder about the
long lost grandfather that we never knew and who never showed up
anywhere. Was he
dead? In jail? Locked away in an insane
asylum? How could
someone spend their whole life in a
hospital?
Eventually, I followed my life-long interest in writing and
began submitting free lance articles to magazines and
newspapers. After a few
successes in getting them accepted for publication, my husband
decided I was ready for a computer and writing software. We pitched the old word
processor in the basement and I got hooked up to the information
highway.
Then, one night I was watching the news and Tom Brokaw was on
the screen talking about a new website that had just gone
online. I took notice,
as this must be important for Tom Brokaw to be mentioning it. He began the story with a
line I will never forget, that went something like this, “Have you
got a long lost, mysterious relative that no one ever wanted to talk
about and you are dying to find out about? Well, now you can, as the
Mormon Family History Library has gone online today with their
family history database.
Now, you can access, in seconds, what previously would have
taken a trip the Salt
Lake and days
scouring through their records.”
Something
inside my brain came awake when he said the part about the long
lost, mysterious relative that nobody ever wants to talk about. Memories of childhood
secrets came flooding back.
He was talking to me!
I raced to get a pen and paper and scribbled down the website
address, www.familysearch.org. It was the official website
of The Church of Jesus Christ of Latter Day Saints, Family History
Library.
The website was
soon flooded with hits and you could only stay on a few minutes, if
you got on at all.
Then, they would “knock you off” and tell you could not
access for forty-five more minutes. So, I kept at it, putting in
any names that I could think of and hoping something would come
up. I was up until the
wee hours of the morning because they only allowed me on a few
minutes at a time.
Finally I thought of Aunt Clara and typed in her maiden name,
which the same as Mom’s¾Berger. The computer went nuts and
flashed before me page after page after page of her family
history! I recognized
all the names on the pages as relatives we had heard of or met as
small children. All of
Aunt Clara’s brothers and sisters and their children flashed before
me. And, finally, there
was her long lost brother, Carl.
The generations
of our family went all the way back to
County
Donegal
Ireland in the early
1600’s! Mom’s
grandmother was named Dougan and there were generation after
generation of the Dougan clan listed on the history. I discovered my Irish
heritage was real, after hearing of it for years, but wondering
where it came from. I
was Irish. My long lost
grandfather was Irish and German. I discovered we had tons of relatives we had
never even heard of, and hundreds, if not thousands, of cousins.
I discovered my grandfather’s
name was Carl Lockwood Berger.
The mystery man now had a name! Finally, a part of the
mystery was solved.
After that, I couldn’t get enough of the genealogy websites
available on the internet.
My neighbor, who did genealogy for a hobby, clued me in to
all the websites and historical libraries around town. I wanted to find out as much
about these people as I could.
The websites I used the most, in addition to the Mormon site,
were www.ancestry.com,
www.genealogy.com and
www.rootsweb.com. Our
family history had already been placed, by various Dougan cousins,
on many of these sites.
I discovered that my sixth great grand-father was in the
Revolution and was listed in the Daughters of the American
Revolution Patriot index.
My computer
overflowed with information and a veritable cornucopia of lost
family history was laid at my feet. I wanted to meet and find
some of these people, cousins who had listed all this
information. On the
Mormon site, there were several names and addresses listed as having
contributed to the family history. I wrote to all of them,
telling them who I was and that I was their cousin. I heard back from two, who
lived in northern Missouri. The closest cousin was in
Platte
City, a forty-minute
drive.
I made contact with her and
she invited me up to go through all her family history
information. We had a
marvelous afternoon and lunch together. She was a Mormon and she
explained to me that in their faith, genealogy was like a sacrament
would be to a Catholic.
Knowing your family genealogy was an obligation and a big
part of their faith.
She said all of the Dougan line had been placed in the sacred
place in Utah, in which they
store all this information.
She said they believe that we are all going to be re-united
in heaven. How
wonderful! I was
ecstatic. She assured
me we would be welcome, even though we are Catholic.
She gave
me copies of all the files that pertained to my family. They had always wondered
what happened to Carl, who seemed to drop off the family screen, and
wondered where his “line” was.
And, I said, “Well, I’m it!” She copied old family
pictures and told me stories about Indian captures and the
Revolutionary exploits of the family.
I rushed home and made copies of everything for my sister and
her family. Another cousin kept in contact by email and also gave me
information. I wanted
to find a way to hand down this glorious family legacy to our
children, so these people would never be forgotten again. When I told them of the
family legacy, their eyes kind of glazed over, in boredom. So, being a writer, I
decided to put the legacy down in story form by writing a book. Then, when the next
generation of our children wanted to tell their kids about the
history of the family, they could have them read the book, instead
of dry facts, a family tree, or a record page out of the
Bible.
Of
the three other genealogy tools that I used the most, in
unlocking the secrets of my family, one was the Social Security
Death Index, which is available online. If you find a match, you can
order the record for a small fee. They will send you a copy of
the original Social Security application and it will have that
person’s place of birth, parents’ names, and other valuable
information. The second
tool is birth certificates, which can be ordered from the county or
city of birth. These,
too, will show the parents’ names and the places and years of their
birth. The third is
ordering death certificates.
If you can find out where someone died, you can order the
death certificate for a small fee, if you are a family member. The death certificates are a
veritable gold mine containing information such as last known
address, birth information, names of parents, birthplaces of
parents, cause of death and brief medical history. I verified the name of my
grandfather when I ordered my mother’s birth certificate. I matched this name with the
Mormon records to verify that this was the man I was looking
for.
When
Missouri didn’t have it,
I then found grandfather’s death certificate in the state of
Kansas. It stated that he died in a
veterans’ hospital in Kansas, so I knew then
that he had to be a veteran of WW I. The information on his death
certificate was given by my Aunt Clara. I had come full circle. I then ordered his military
record from the military adjunct for the state of
Missouri, where he was
mustered in and received his mustering out papers at the end of WW
I. I knew his medical
history of emphysema, probably from the mustard gas used in the war,
heart disease, and mental problems. I learned when he died and
what he died from, and finally, where he was buried. Our decades old mystery had
been solved.
It
wasn’t a big leap to put the drinking problem in with the War and
the devastating effects of the mustard gas, and trench warfare. He lived in the psychiatric
ward at the VA hospital, probably suffering from the permanent
effects of shell shock.
I learned of our sixth great grandfather’s Revolutionary
exploits from the DAR (Daughters of the American Revolution)
registry, and from family folklore obtained from my cousins. I even learned how he was
almost hanged, but escaped at the last second. If he hadn’t escaped, I
would not have been born!
It was mind-boggling.
So, my book was swiftly taking shape. I went through each
generation of the family and gleaned what I could from the internet,
historical libraries, and museums in my area.
I found a
family of pioneer Dougans in a historical library in northern
Missouri. They had a copy of a journal
kept by my great-great-uncle, who described the harrowing trip his
parents, my third great grandparents, had taken from
Indiana on a wagon
train to northern Missouri, and their
lives on the Missouri prairie.
Then I began my
task of taking all these dry facts and spinning them into a yarn, a
historical family saga known as, Vanished
Glory: A
Family
in America. Ask about it at
a bookstore near you or order at most online booksellers. Now, do you have a long
lost, mysterious relative, a black sheep, you have always been
curious about? Get
busy! Happy
hunting.
Copyright
2003 Connie Lynne Smith
All Right Reserved
Making History Come
Alive
By Connie Lynne Smith
Author
of Vanished
Glory: A
Family
in America
When I decided to write my historical family saga,
Vanished
Glory: A Family in
America, it was the first time I had ventured
into the realm of historical fiction. I needed to devise a plan
for doing the research and discovering the life and times the
generations of this family lived through and were a part of. So, I dug in my wallet,
through the myriad array of plastic credit cards I had accumulated,
in search of my trusty library card.
My book
covered over two hundred years of American history, so wading though
history books, all at once, was out of the question. I decided to divide my
research up and tackle one generation, or era of history, at a
time. I divided the
book into chapters by generations of the family and kept the book in
strict chronological order.
This simplified matters for me and the reader, and aided me
in my quest for minutia and info about the various periods. This process also lessens
confusion for the reader, from having to jump back and forth between
generations or time-periods.
My description of this writing style could be called “plow
through history, full steam ahead, and don’t look back”.
I decided to check out a
maximum of ten history books on each chapter, basically because this
was all I could carry at one time! In choosing these books, I
would look for those describing different aspects of life during
this time period. Each
book would address a different
subject.
Take, for instance, pioneer life during the Westward
Migration. I checked
out a book on the historical aspects and political climate. Another was on the mores,
culture, and sensibilities of the people of this era. Another addressed the
religions practiced and their contribution. Another allowed me to delve
into aspects of pioneering¾building log
cabins, wagon trains and how the wagons were constructed. One volume described
everyday life during this period. How did these people
dress? How were they
educated? How did they
travel? What did they
do for fun and entertainment?
I didn’t have to read every book all the way
through¾just breezed
through, jotted down interesting facts and took notes on aspects
that I thought would be important to my story. Then, I took all the books
back to library and proceeded on to, what I like to call,
“percolating”¾just took a few
days to let all the facts and information percolate in my head and
let my story materialize.
Then I sat down and started to write. I described the times, the
climate, the atmosphere, and the events, and then involved my
characters in these events.
In my
particular case, I was writing about real people who actually lived
through many of these events.
So, I had family folklore and records to carve my path
through history. But,
when there were historical events that cried out to be in the story,
and if my people really had no part of that event, I created
fictional characters and linked them up with my family, as
peripheral characters.
In this fashion, I was able to flesh out even further the
situation in the world and the country, whether it involved my
relatives or not.
What
would a chapter be like on the 1860’s, without building it around
the Civil War? Back to
the library for books on the Civil War. How people lived through
it. How they felt about
it. What they were
fighting for. How these
events affected them personally, in their daily lives. Then, I started writing
stories.
And so, I progressed through over two hundred years of
American history. The
computer and internet also proved to be an invaluable tool in
research. Many websites
are dedicated to historical events and have much to offer writers
doing research. Then it
is up to writer, to put these events in the story, make them happen
to the characters and have the characters live and survive through
them.
My hope is that, after
reading my book, people will know more about the history of the
United
States, as told through a family
that lived through it.
All of this may be accomplished without ever picking up a
history book. I hope my
readers will not feel like they have plodded through a dry, boring
textbook, but rather have been involved in an adventure. A riveting story, a lively
tale, a fascinating yarn, filled with passion, tragedy and a glimpse
of the turbulent times that made
America
and her people, what we are today. Told by a family in
America.
Copyright 2003 Connie Lynne
Smith
May not be
reprinted without permission
Writer or
Storyteller?
Connie Lynne Smith
Author of
Vanished
Glory: A Family
in
America
What were writers called before the evolution of the
written word? They were
called storytellers.
Before the invention of the printing press, there were few
written books. Most
were hand written by “scribes” and were religious treatises,
financial, and historical records. There was no going down to
the corner newsstand, buying a newspaper, magazine, or paperback
book to pass the time.
Storytelling
got its start as the cave men sat around their fires and wanted to
entertain the other cave people with stories of their hunting and
gathering exploits.
Soon, they began embellishing their exploits and adding new
characters to the adventure, thus, the invention of
storytelling. Later,
people got their stories from actors who spoke playwright’s and oral
storyteller’s words, and invented drama.
When
mankind invented alphabets and started writing stories down on
parchment and tablets, the illiterate masses could not read them, so
they were passed on orally and through drama. Moses only had one copy of
the Ten Commandments when he came down from the mountain. At that time, they were
passed on orally or through drawings. In the Christian faith, few
people could read, so the faith was passed on by preachers, actors,
artists in pictures, stain-glassed windows, and
icons.
In
Ancient Rome, book publishing was born when the educated slaves
spent all their time hand-copying books. In the Middle Ages, many
monks, in monasteries, spent all their time hand copying the Gospels
of Jesus.
Writers
were given a legitimate career with the invention of the printing
press in the fifteenth century. Books became available and
people wanted to learn to read. The written word for the
masses was born and the scribes and storytellers became
writers.
The
ultimate evolution of the written word came when someone took the
written words of playwrights and had actors say them on film, rather
than a stage. A film is
the ultimate in storytelling, for it combines the written word, the
screenplay, transferred to oral storytelling, by way of the actors,
and the visual feast for the eyes created by the filmmaker. Film also had its beginning
in the cave when the prehistoric man told of his exploits with
visual drawings on the walls.
Some of these drawings “tell” some very harrowing tales. But, no matter how the
modern story is conveyed to the audience, it all had its beginnings
with that first cave dweller, sitting around the fire and
enthralling his cave-mates with his exploits through the art of
storytelling, and illustrating it on the walls of the cave.
Do you want to
be a writer or a storyteller, or can you be both? I believe in storytelling
and I like to refer to myself as a storyteller. It’s what I do. I just happen to pass my
stories around on paper and, thus, I am called a writer. I believe the best writing
involves the best storytelling. In fiction, you can only be
a very good writer if you have a good story. A good story can stand on
its own, even if the writing is less than stellar. A bad story is not going to
be read much, no matter how well it is written. Everybody loves a good tale
with a memorable ending¾an old-fashioned
yarn. When books drift
away from the story into long-winded psychological dissections of
characters, I drift the other way.
In fiction, my theory of good writing is to make something
happen. I have a note
that is taped to the top of computer that says simply, “Make
something happen on every page.” Follow that rule of thumb and your
reader will stay enthralled.
If you have written a couple of pages and really nothing much
has happened, back up and “make something happen” sooner.
Make the
narrative paragraphs flesh out the action with details about
happenings, historical events, and major disasters. Cram as many facts as you
can about the events in the fewest words, so when they happen to
your characters, the reader will be invested in them and understand
fully the magnitude of what is going on. Don’t let the reader rest or
get complacent for a minute.
Convoluted, contrived plots are not necessary for a good
story. Some of the
greatest stories ever told have involved simple happenings and
events, involving simple, everyday people in small towns, and how
the people reacted to the events.
Another element to a good yarn is likable characters. Make your reader fall in
love with the people you have created. Make them heroic, emotional,
and vulnerable, all at the same time. Next, throw in the
conflicts. The more
conflicts, the better.
Have them overcome seemingly insurmountable obstacles. Keep throwing conflicts at
them until you and the reader are worn out from turning the pages so
fast. Make their causes
just. Then people will
care what happens on the page and feel awful when something tragic
befalls the character.
Give your characters a well-rounded life, no Ozzie and
Harriet cardboard cutouts.
Have them love, marry, get divorced, be widowed, have babies,
lose babies, face betrayal, encounter tragedy, adventure, death and
war. Make something
happen to them on every page.
Show the tragic flaws that may have caused their
ruination. Then, show
their compassionate, loving side, so everyone will still feel awful
when tragedy befalls them.
When you
are through with your story, imagine someone sitting around the fire
in the cave and telling it.
I want my readers to be worn out and limp from everything
they have been through with my characters. The same as the cave people
surely were after hearing of all the hunting exploits, fraught with
danger and adventure, the fights, the huge, man-eating monsters and
the tribal enemies of the era.
If your story would work for them, it will work for you. Good stories have been
around since pre-historic times, and will always be around, because
we humans will always love a good, old-fashioned yarn.
Copyright 2003 Connie
Lynne Smith
May
not be reprinted without permission
"The
stories of past courage...can teach, they
can offer hope, they can provide inspiration. But they cannot supply
courage itself. For this each man must look into his own
soul."
John Fitzgerald Kennedy
Profiles
in Courage
Midi music from "The
Patriot" by John Williams
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